he time has come to close the other side of the book on this immense undertaking, but not before we cover one last film: 2012's "The Cabin in the Woods". This film came out right as we were starting our trek through a century of horror, and now it's time to bring it to the show and talk about its unique style and the implications for the future of horror that it possesses within its meta structure. To help us look ahead to a new century for our beloved genre, we've brought on a few friends and former guests of the show to help us deliver this epic, final episode of 100 Years of Horror!
We're settling down in America for our final two episodes featuring some larger-scope topics before we bid adieu. Tonight, we're talking some new faces of horror with the next wave of filmmakers including Ti West, Adam Wingard, Simon Barrett and more. With the rise of internet buzz and the return of the anthology horror film to display these new, daring individuals, we consider whether or not the future of horror is in good hands by taking a look at the recent Ti West film, "The Innkeepers" from 2011.
Our final episode countdown brings us to our last "decade", of which we'll spend just a short time but will take a look at some future trends in horror. Today, that trend has us talking about the Korean revenge film alongside friend to the show, Axe-Wielding Alex, who brings us a multitude of Korean knowledge and culture for an all-encompassing look at one of the trend's biggest films, 2010's "I Saw the Devil".
For our last episode of the 'aughts, we turn the spotlight to a master of many different horror media, Clive Barker. Starting in literature, Barker has since branched out to writing, directing and producing horror films as well as creating different forms of visual and performance art. We turn to one of his most recent productions, 2009's "Dread" which happens to be based on one of his earliest stories from his famed "Books of Blood", a collection of short stories that put him on the map and would later be adapted into famous horror films like Candyman and The Midnight Meat Train.
Before you listen to this episode, be sure to lock the doors and turn the lights down low...we wouldn't want anyone to know you're home. All right, now that we're in the clear, we invite you in to listen to our latest episode, featuring a very special guest: the Bride of the Phantom herself, Lauren, to talk about 2008's "The Strangers" starring Liv Tyler and Scott Speedman. A couple heads to a secluded vacation home to sort out their relationship, only to have a new problem on their hands: a trio of masked strangers with only one intent—to terrorize the home's inhabitants.
Welcome to France, where the fine flows freely, the women dance nakedly and the screams echo in your mind forever. That's correct: the Phantom Erik and Lester Reaper are exploring some of the seedier sides of the French countryside this week with "Frontier(s)" from 2007 (is the 's' supposed to be silent? Silly French...) Along with the film at hand, they take a look at the New French Extremity movement that both feeds off and adds to the wave of torture and gore films taking over the horror genre—with their own, foreign flair.
Our guest this week, Jesse Bollinger of Horrorcopia and Bump in the Night, is both a fan of the paranormal and also very fearful of it. That's why we thought it'd be perfect to subject him to our film from this week, 2006's "Altered", from the director and writer of the Blair Witch Project, Eduardo Sanchez. In this installment of 100 Years of Horror, the Phantom Erik, Jesse and Lester Reaper witness a tale of four men, all connected through an experience from their childhood, now trying to figure out what to do with an alien in their possession—and one that doesn't want to play nice, no less.
This week, Gary Hill of Cinema Beef, Sausagefest Reviews and the Bird and the Beard podcasts accompanies us Down Under once more as we visit Greg McLean’s “Wolf Creek” from 2005. Lumped in with our favorite Splat Pack team of filmmakers from the early ‘aughts, McLean gives us his take of a true Australian serial killer story. As such, we also talk a bit on how horror and true terror have forever been, and will forever be, intertwined, while Gary and the Phantom Erik set out to explain how McLean’s film separates itself from the Pack, quite literally.
We're back in America for a breather to shine the spotlight for the first time in the '00s on none other than Tobe Hooper. A little belated, we're honoring the director nonetheless for his controversial contributions to the genre, beginning with the hugely influential Texas Chainsaw Massacre all the way down through the mess of the Mangler. We pick him up here for his return to the genre just as remakes were all the rage, as he puts his own twist on the Video Nasty classic, "Toolbox Murders", this time featuring some supernatural happenings visiting upon horror's new darling, Angela Bettis.
It's our last stop on an extended European trip, and we're spending it in the dark, foreboding woods of Norway with 2003's "Villmark". Written and directed by newcomers in Christopher Grondahl and Pal Oie, and featuring a cast of newcomers (aside from Norwegian psycho extraordinaire Bjorn Floberg), this ambitious film tells the story of a reality television crew going into the "dark woods" to act out what their future contestants will endure. What they come to find, however, is an even darker threat than they imagined...